1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.   Related Paintings of Rembrandt van rijn :. | Self-portrait with Velvet Beret and Furred Mantel | Details of the Blinding of Samson | Stubbs bath in a spanner in | Rembrandt | rembrandts mor |
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William Hamilton
English Painter, 1751-1801, was an English painter and illustrator. Hamiliton was born in Chelsea, London, but travelled and worked in Italy with Antonio Zucchi for several years. He trained first as an architectural draftsman, but soon moved to theatrical portraits and scenes from plays. Hamilton became very well known for his paintings depicting episodes from the plays of Shakespeare and for his illustrations of poems. He was commissioned to create works for John Boydell's Shakespeare Gallery, Macklin's Bible and Bowyer's English History. These were widely reproduced in popular prints. Francesco Bartolozzi engraved a number of Hamilton??s best known works. He also painted modern events, such as the execution of Marie Antoinette, in the manner of epic historical drama. Hamilton's style shows the influence of the cult of sentiment typical of the period, resembling the work of Angelica Kauffmann. He also sometimes adopts aspects of Fuseli's dramatic distortions in composition and figure drawing. He became an associate member of the Royal Academy from 1784, and was made a full member in 1789.
Charles Dauphin
Charles Claude Dauphin or Dofin, called in Italian Delfino, a French painter of historical subjects and portraits, was the son of Olivier Dauphin. He went to Turin about the year 1664, and worked there for the Prince of Carignano. He was also employed for the churches, but his works are in no great estimation, abounding as they do with the most ridiculous absurdities. In the church of San Carlo is an altar-piece by him, described by Lanzi as a most ludicrous composition. He died in 1677.
Charles Landseer
English Painter, 1799-1879